Thursday 18 July 2013

Free Places To Drink Cans In London Without Feeling Like A Tramp #3: Lewisham People's Day

This is a love letter, of sorts.

crowd shot.
Not too long ago in real terms but what now seems like the distant past my friends and I would have sworn that we would live in our home town of Leeds forever. Things haven't turned out that way. Some of my closest friends have spread out around the country and around the world as jobs, family, girlfriends or boredom have taken us away from what we once thought we would always call home. After everyone finished their university years and returned to Leeds it seemed like an old gang had got back together and that it would never split again. Proximity and history had brought us back together but then life happened again. People grew up, got married, found proper jobs, had kids and people started moving away from Leeds once more. The sight and the memories of my home town will always bring me comfort, make me feel strangely safe and fill me with happiness but it is the people I shared those memories that matter most. It's my friends who made the memories, my friends that made Leeds such a brilliant city to grow up in and live in thereafter and it's those friends from which new memories are being forged with still, just not as regularly as before.

a bloody big periscope.
As friends have spread throughout the world it's become much harder to see each other. I can't just get on a flight to Australia or Ecuador, I can't get on a train up to Leeds every weekend (even if I wanted to), I can't organise myself well enough to sort out a weekend anywhere else. It's said it's easier to stay in touch with people nowadays with the advent of social media and mobile technology but I never receive a ten page letter from a friend or relative like my mum used to or on take part in a two hour conversation on the phone like she still does so, yeah, it's easier to stay in touch but it's harder to actually find anything real out. So the time I do get to spend with friends nowadays is paramount and cherished.

main stage.
And so I met the news that Michael confirmed he'd be getting the train down to London from Rotherham for the weekend of Lewisham People's Day with great excitement. Michael is a friend of mine and Robins (a fellow Leeds expat living in London) from our school days. Michael and I used to eat kebabs and drink cans in his car in a dogging car park whilst discussing (and crying over) various unsuccessful love affairs and listening to emo music. We called this our weekly Dashboard Confessional. We were fucking funny. You can't do stuff like that with just anyone (and look back and laugh at yourselves years later) Michael was always going to be a friend for life, no matter how far away we lived from one another or lazy/unorganised I became/continued to be.

variety show.
Anyway, he came down to Lewisham People's Day two years ago and he's now decided to make it an annual outing. Lewisham People's Day is paid for by Lewisham council so it has bigger clout and backing than most of the free festivals you find round London. It's great that the council are still managing to do this with all the cut backs being forced upon them and you can tell it makes a difference to the community of Lewisham of which between 20 to 30 thousand turned up on the day. It brings the various disparate arts, school and music groups as well as the various communities, religions, etc. from around Lewisham together so you get a great mix of people as well as a great mix of things going on over the five stages and many stalls and tents.

another crowd shot.
The festival is cut up into four main areas and includes an indie tent (bands include the confused but fun The Floodliners, a band with a 70 year old guitarist and another band with a 17 year old boy dressed as Slash), a main stage (rap groups, dance troupes, soul groups), a Lewisham hub stage (where you get local school groups and orchestras from the area) an acoustic bandstand stage (stuff like a capella choirs, acoustic troubadours and reggae artists) and the big top tent (acts include a variety show, some bingo and some band that had a worldwide number one many years ago).

The Floodliners
There were a couple of big food areas this year; one was the new breed on trendy home made street food selling things like home made sausage rolls, chorizo, loads of vegetarian bumf, cakes, bread and what not and then more 'traditional' Lewisham food; jerk chicken. You'll have to queue a while for the jerk chicken. However many pieces of chuck they chuck on the barbecue they always struggle to keep up with the demand. There's aloso a plant and herb stall which I always get far too excited about. There's loads of things for kids to do from face painting, to the craft market to creating a skateboard design to entering the 'minilympics.'

jerk; the food of Lewisham.
And if you want to eat a load of food, drink a load of beer (warning there are no real ale or real cider tents here; the beer vans only sell nondescript cooking lager and pish cider. Bring your own until they learn) and then make yourself sick there's a multitude of scary looking fairground rides to turn your stomach over. There are also a lot of fairground games that are nearly impossible to win and almost nearly as impossible to not have a go (when you've been drinking pints of gin).

losing.
Before we went this year I wasn't sure if you were allowed to take cans in which led to us decanting a litre of gin into plastic tonic bottles so we could consume this in a field on one of the hottest days of the year. Great idea. For the record you can take cans in; the only rule regarding booze is no glass bottles. That and not being a twat. And maybe having a good time. You do have to go through an airport security type entrance where you you will get a metal detector scanned around your body when you arrive so don't go strapping a hip flask to your body; you can take it in anyway.

a rare sight; a bandstand being used for what it was built for.
Anyway after a pint of cooking lager and a pint of gin we sat down in the Big Top tent to watch Ida Barr bingo. Ida Barr is a man dressed as a granny who sings hip hop songs and plays bingo with the audience. It may not sound funny but it bloody well is after a pint of gin and when your friend fucks up, thinks he's won the bingo, but is then lambasted by a hip hop granny on stage in front of a packed tent who accuses him of cheating. I think Michael was drinking faster than I was and didn't realise that Ms Barr had purposefully neglected to tell the crowd the full extent of the rules; I’m sure it's a normal part of the routine and (un)fortunately Michael was suckered in with the hope of winning a tea pot shaped like a British phone box.

Michael getting bummed on stage by a hip hop granny. Not literally.
We walked around the festival site for the next few hours alternating our pints of gin with pints of crap lager watching various acts, eating different food stuff and catching up with each others lives in the sun. It was almost perfect. And then it was perfect; Musical Youth came on in the Big Top. Musical Youth!! Those who wrote and performed the reggae classic Pass the Dutchie. These were heady times. It turns out they didn't really write anything else, not anything anyone would have heard of anyway so they (or the two remaining members of the original group and a load of session musicians/ mates) played a set of (other peoples) reggae hits. They then did a ten minute rendition of Pass The Dutchie. I never thought I had wanted to hear a ten minute rendition of Pass The Dutchie, or indeed see Musical Youth live, I'd go as far as saying the thought had never crossed my mind, but in that moment, in that tent, with two of my favourite friends everything made sense. And then Michael dropped his pint on the floor covering my legs in cheap lager and everything was normal again. We were sixteen again in a park in Leeds. Nothings changed except almost everything. And if that doesn't make sense to you I pity you a tad.

Passing The Dutchie to the left hand side about 100 times.
So yeah as Joey Cape of LagWagon once sang: To all my friends; I remember every drunken night at the old dive. And something that he didn't; so do I, but let's keep on creating new memories. You still mean the same to me wherever we all live at the moment and wherever we all may end up in the future.

'erbs.

The £5 record buying (mostly photo based) occasional series #2: Greenwich Music & Video Exchange

During a break watching wanky arts students doing funny dances at Greenwich & Docklands International Festival Helen and I visited another record shop with a bargain section, this time on Greenwich Church Street. The Music & Video Exchange shop is part of a wider group of shops in London and Birmingham which sells second hand nonsense from clothing to homeware to records. The shop in Greenwich specialises in music and videos and sells vinyl albums from £1 and 7 "s from 10p. The only reason I agreed to go to the festival was because there was a massive model of a dead whale there which ended up being an even more massive disappointment so the respite of sifting through racks of crap records came as a huge (or indeed massive) relief. It wouldn't be long till we would be watching wanky arts students push prams around in the name of modern dance so the time was very precious. Here's what we came out with.



The Beach Boys- 20 Golden Greats
Original boy band whose bastardised version of themselves recently supported JLS in a park. Bought because: My record collection has gaping holes and the cover is awful in at least two ways.



Thompson Twins- Here's To Future Days
Crap new wave nonsense. Bought because: the bands bad clothes, hair and poses on the cover. And the naked baby who seems to have wandered into the band shot from a different studio.



10CC- How Dare You!
Average band who sang about cricket and other stuff but were obviously well ahead of their time as they predicted text speak by naming one of their members LOL. Bought because: they also predicted the overuse of the mobile phone on the cover and the inside cover which depicts a party full of people all on their phones.



Dory Previn- Mythical Kings and Iguanas
Nu-folk before nu-folk existed. So old folk, or just folk. Bought because: Helen had heard of her.



Tracey Ullman- You Broke My Heart in 17 Places
The original Daphne, or Celeste. Record came out on Stiff Records. Bought because: the variety of stupid poses on the cover and a couple of lovely high tempo, high pitched pop songs.



Support your local (and not so local) record shops.

Visit Greenwich Music & Video Exchange at 23 Greenwich Church Street, Greenwich SE10